And finally: A museum takes on its gaps in Black history
The Times’s Jennifer Schuessler writes:
There is no shortage of ghosts at the Tenement Museum on the Lower East Side, which for nearly three decades has explored issues of immigration, home and belonging. But in recent years, the story of one particularly ghostly presence has lingered in the background.
In 2008, shortly after the opening of an apartment telling the story of Joseph Moore, an 19th-century immigrant Irish waiter, a museum educator noticed something interesting in an 1869 city directory. Right above Moore’s name was another Joseph Moore, also a waiter, living a few neighborhoods away.
Same name, same profession. But with an extra designation — “Col’d,” or Colored.
The educator started inviting visitors to think about the two Joseph Moores, and a conversation grew about how to talk about “the other Joseph Moore” — and about the museum’s broader omissions.
Now, as the museum celebrates its reopening with a block party on Saturday, it is leaning into the story of the Black Joseph Moore. It is researching an apartment recreation dedicated to him and his wife, Rachel — its first dedicated to a Black family. And it is introducing a neighborhood walking tour that explores sites connected with nearly 400 years of African American presence in the area.
The reopening comes after a tumultuous year for the museum. Last June, after the murder of George Floyd, some staff members protested what they saw as the museum’s insufficient statement of support for Black Lives Matter. (The museum quickly issued a second, more self-critical statement.)
Now, it is taking on an enormous — and enormously fraught — question: How does a museum — and a nation — that celebrates the immigrant experience incorporate the stories of Black people who were brought here involuntarily, and who for centuries remained shut out of the opportunity and full citizenship open to most newcomers?