Taylor Mac, who used to practice singing scales in her apartment, also mentioned a fond memory of her dancing on a bar.
Earlier on Thursday, Ms. Gustern took to social media to share an internal struggle. She expressed feelings of detachment. She could not remember lyrics and felt as if her voice had “abandoned” her. She said the idea of doing a show was “like sentencing me to be tortured.”
But things had suddenly turned around, and she found herself energized about working on her latest show, she wrote. The show — a musical cabaret directed by Ms. Gustern, Ms. Bleier and Austin Pendleton, an actor and playwright — had been scheduled to start later this month.
“I feel like a singer again for the first time in forever,” Ms. Gustern wrote.
Days after the attack, her friends and colleagues vowed the show would go on in her honor and tried to make sense of what had happened.
“A climate of hatred and anger has been growing throughout this country and the world,” Ms. Bleier said. “People have had permission to act in ways and speak in ways that they may have felt before like doing, but it’s never been as accepted in my memory. It’s just been such a shock to the entire theatrical community.”
Surveillance video captured Ms. Gustern’s attacker leaving the area. The police said they were looking for a woman with long dark hair who was last seen wearing a black jacket and leggings, a white skirt or dress and dark shoes. No arrests had been made as of Sunday evening.
Ms. Gustern came to New York City from a small town in Indiana decades ago with dreams of making it big, her grandson said. She got her start singing in various religious houses, including a temple where she met her husband, Joseph, who later performed in “The Phantom of the Opera.”