Connect with us

World News

Opinion | We Still Can’t See American Slavery for What It Was

Published

on

[ad_1]

As for the sources themselves, it may be possible to use their physicality — the fact that these ledger books, bills of sale and fugitive slave ads are real, tangible objects — to tell stories about the humans involved in this centuries-long nightmare, to use the means of objectifying others to undermine the objectification itself.

“There is a strange way in which the everydayness of the document helps you understand the extraordinary imbalance of power and the wrongness,” Walter Johnson, a professor of history and African and African American studies at Harvard, said. “If somebody smudges the ink on a ledger, you have to imagine a person writing that. And once you imagine a person writing that, you’re imagining the extraordinary power that those words on a page have over somebody’s life. That somebody’s life and their lineage is actually being conveyed by that errant pen stroke. And then that takes you to a moment where you have to imagine those people.”

Indeed, the very banality of this material can help us understand how this system survived, and thrived, for so long. “I am not a historian of slavery because I want to spend my time understanding massive moments of spectacular violence,” Jennifer Morgan told me. “I actually want to understand tiny moments of violence, because that’s what I see as adding up to a kind of numbness — a numbness of empathy, a numbness to human interconnection.”

All of this is to say that with the history of slavery, the quantitative and the qualitative must inform each other. It is important to know the size and scale of the slave trade, of the way it was standardized and institutionalized, of the way it shaped the history of the entire Atlantic world.

But as every historian I spoke to for this story emphasized, it is also vital that we have an intimate understanding of the people who were part of this story and specifically of the people who were forced into it. It is for good reason that W.E.B. Du Bois once called the trans-Atlantic slave trade “the most magnificent drama in the last thousand years of human history”; a tragedy that involved “the transportation of 10 million human beings out of the dark beauty of their mother continent into the newfound Eldorado of the West” where they “descended into Hell”; and an “upheaval of humanity like the Reformation and the French Revolution.”

The future of SlaveVoyages will include even more information on the people involved in the slave trade, enslaved and enslavers alike. “We would like to add an intra-African slave trade database because there is a lot of movement of enslaved people on the eastern side of the Atlantic,” David Eltis said. He also told me that he can imagine a merger with scholars documenting the slave trade across the Indian Ocean, the roots of which go back to antiquity and whose more modern form was concurrent with the trans-Atlantic trade. “We’re really leaning into territory which was unimaginable back in 1969,” he said.

We may not have many statues of the enslaved — we may not have anywhere near enough letters and portraits and personal records for the millions who lived and died in bondage — but they were living, breathing individuals nonetheless, as real to the world as the men and women we put on pedestals.

As we learn from new data and new methods, it is paramount that we keep the truth of their essential humanity at the forefront of our efforts. We must have awareness, care and respect, lest we recapitulate the objectification of the slave trade itself. It is possible, after all, to disturb a grave without ever touching the soil.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips. And here’s our email: [email protected].

Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram.



[ad_2]

Source link

Comments

comments

Facebook

Trending