The musicals vying for big awards this season could hardly be more different from one another.
There is “Tootsie,” a musical comedy that, like many Broadway shows today, was adapted from a popular film, and “Ain’t Too Proud: The Life and Times of the Temptations,” which is a jukebox musical employing a pop song catalog. And then there is “Hadestown,” a more unconventional show, which is a sung-through reimagining of the Orpheus and Eurydice myth.
Among the others in the running are two set among high school outcasts: “The Prom,” which is about a group of insufferable New York actors who decide to come to the aid of an adolescent girl in Indiana who wants to take her girlfriend to the prom, and “Be More Chill,” adapted from a young adult science fiction novel about a teenage boy who swallows a pill-sized supercomputer in an effort to boost his popularity.
Other possible contenders include another jukebox musical, “The Cher Show.” We’ll let you guess the subject.
There were only two musical revivals this season. Both were well reviewed, and both are expected to be nominated for the prize in that category: a revised “Kiss Me, Kate” and a revisionist “Oklahoma!”
Will prominent performances be recognized?